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Browse by appendix topics
- The Text
- The Date of Composition
- Internal Evidence
- Metrical Tests
- Shakespeare’s Development
- Sources and Influences
- Titus Maccius Plautus
- Menaechmi
- Amphitruo and the Supposita
- Shakespeare’s Use of Plautus
- General Indebtedness
- Structure, Themes, Characterization
- The Bible and the Liturgy
- Shakespeare’s Use of the Bible
- The Book of Common Prayer
- The Book of Homilies
- Gower, Apollonius of Tyre
- Other Sources and Influences
- Shakespeare’s MapSee map,
- Criticism
- General Comments and Assessments
- Genre
- Farce
- Comedy
- Mixed Tones
- Themes and Significance
- General Comments
- Identity
- Family and Marriage
- Order and Disorder
- Other Themes
- Drame à Clef
- Technique
- Structure
- Unities
- Framing Structure
- Five-Act Structure
- Audience Involvement
- Symbolic Properties
- Language and Style
- Characters
- The Characters in General
- Adriana
- Æmilia
- E. Antipholus
- S. Antipholus
- Courtesan
- The Dromios
- Egeon
- Luciana
- Pinch
- Solinus
- The Comedy of Errors on the Stage
- Staging
- Performances
- The Text on the Stage
- distant reading
- The Text -- Authorship
- The Text -- The F1 Version
- The Text -- The Printer's Copy
- The Date of Composition -- External Evidence
- The Date of Composition -- External Evidence -- Gesta Grayorum
- The Date of Composition -- External Evidence -- Mere's Palladis Tamia and Late Dating
- The Date of Composition -- External Evidence -- The Gelyous Comodey
- The Date of Composition -- External Evidence -- Lord Chamberlain's Company
- Founded 1594
- The Date of Composition -- External Evidence -- Earlier Time for Beginning Performances
- The Date of Composition -- External Evidence -- Relation to Other Works
- The Date of Composition -- External Evidence -- Topical Allusions
- The Date of Composition -- Internal Evidence -- Doggerel
- The Date of Composition -- Internal Evidence -- Vocabulary
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