Comparing The Contrast Of Two Verisimilitudes English Literature Essay Free Essay

In comparison and contrast of the two following verisimilitudes one will happen many comparative points. “ We Came All the Way From Cuba So You Can Dress Like This? ” by Achy Obejas is a formula fiction or an in media RESs that implements many flashbacks. “ Clothes ” by Chitra Banerjee Divakaruni carries a secret plan with a incorporate construction. However, both narratives portion a similar watercourse of consciousness. For illustration, both narrations use a heroine as the rule character. The secret plan is the new ocean trip to America while the subplot is the version to it and struggle of individuality from it. Furthermore, there is truly non a strong developments of an antihero. If there were to be any adversary it would be in both narratives the female parent and male parent, stand foring a strong function drama of household influence shared in the both these contrasting civilizations. ; Cuban and Indian.

Furthermore, the heroines would most likely besides be their ain antiheroine in footings of their internal battle in consequence of the ocean trip, accommodation, credence and version to a new civilization which is in the state of the United States. The crises of both the narratives contrast in their content. In Obejas ‘ narrative the chief character, Achy suffers the typical scruples that immigrants in general experience. For illustration, the deficiency of instruction due to hapless English accomplishments which in bend lead to a deficiency of work chance or general deficiency of work chances due to favoritism.

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Furthermore, followed by deficiency of work and deficiency of money. The destitute life and in general many troubles due to the ignorance towards immigrants form the action. Achy states “ there are many things that ca n’t be told. Thingss like when we could n’t happen an flat, everyone ‘s stating it was because landlords in Miami did n’t lease to households with childs, but cognizing, ever, that it was much more that that. ” Obejas ( 229 ) The crisis for Sumita in “ Clothes ” nevertheless, is much more serious. She portions a similar scene with Achy and even the same point of positions about the inquiries of the new universe, yet her fate is really different. Her hubby is murdered.

Both manners of these short narratives are certain to set up an expounding for the reader every bit much as possible. The expounding establishes the deepest and most comprehendible thought of the cultural background of the characters. The tone of the narratives both signify hope and longing. For cases, Sumita want a blue saree for her nuptials before coming to America “ because blue is the colour of possibility. ” Divakaruni ( 275 ) When the Cuban household is in the US Miami Processing Center the Colombian charity worker tells Achy “ everything will alter for me in the United States, as it did for her. ” Obejas ( 225 )

Both narratives try to typify America as giving the same hope and longing that the characters emulate. These two narratives are comparable and contrastable non because the civilizations could be comparative nor even that they were written in the same epoch of the 50 ‘s and 60 ‘s, but because the same suspense and struggle comes from the same beginning. For illustration, both supporters struggle foremost within themselves. The complications that are foreshadowed come into drama when the rounded characters travel to a new land.

The flood tide of the narratives are when there is a decease. Achy ‘s male parent dies and it gave her an chance to recognize that she chooses to remain in America. This is the denouement of the secret plan for a battle of individuality. She wanted at one point to acquire her Cuban passport back from her male parent but he said no and kicked her to the land. Upon his decease her female parent eventually gave her back the Cuban passport. Where the declaration comes to a stopping point by Achy ‘s determination to non take action with the reception of the 25 twelvemonth old passport.

This impersonal omniscience besides allows the related fable to “ Clothes ” . For case Sumita knows her hubby, now dead, will take her in-laws dorsum to India. She said they will state her, “ You ‘re like our girl. They will desire me to travel with them. Your place is with us, for every bit long as you want. For the remainder of your life. ” ( 280 ) Divakaruni. She decide at this point that is non what she would desire.

Both characters underlying enunciation differ taking to different images of the characters ‘ chief subject. Sumita wants to come to America and wants to be an American or at least tantrum in as one can set up through her secret aggregation of concealed Western apparels. Achy was a refugee here by her parents and is ever cognizant that they used her as an alibi of why they fled. She was ne’er certain until her male parent ‘s decease that she really did prefer to populate in the US ; as seen through the denouement.

The duologue between the household members form the action of the characters ‘ battle for individuality. The Cuban household seems proud of America and its cultural. This can be displayed when the Cuban household goes shopping for the first clip in the US after geting in Miami. Achy ‘s male parent can non incorporate himself. He proudly blurts out in awe of the food markets available, “ All around us people stare, but so my male parent says we merely arrived from Cuba, and there ‘s so much here! ” ( 229 ) Obejas

However Sumita and her hubby make love the US but need to conceal it from their traditional Indian parents. Sumita ‘s feelings for America are symbolically concealed in her experience with apparels. For illustration, when she and her hubby Somesh are in their room, he gives her apparels and hides them in between their Indian apparels until they move out. You can see her symbolically suppressed feelings for hope and longing in the US through this statement, “ I ‘m have oning a brace of denims now, wondering at the curves of my hips and thighs, which have ever been “ concealed ” under the streamlined lines of my saree. ” Divakaruni ( 277 ) In the falling action the subject is resolved as the characters who started their narrations many old ages ago end the short narrative with a renewed journey of their credence and willingness to settle into an American life.

A common subject shared by both chief both chief characters is summed up in Achy ‘s quotation mark, “ Is life fate or finding? ” Obejas ( 225 ) There are many actual and symbolic imaginations in these short narratives. First, that chief subject is decoding life ‘s result. Is it something we plan and choose or is it chosen for us? Both characters experience an internal struggle with their new state, America and the staying being of the old state ‘s facets in their new life. This surfaces through cultural norms and household traditions.

A large shared symbolic image denoting this battle is through apparels. For illustration, when both misss arrive in America the misss are encouraged to love America by exposing it in literary symbols on apparels. The Catholic voluntary gives Achy a grey hooded shirt with an American flag on it. However, Achy does n’t desire to interchange it for her green jumper that still smells like Cuba and her grandma ‘s house. She will maintain both for the remainder of her life. Sumita is given a shirt from her hubby that says “ Great America ” across it the first minute her and her hubby are entirely in America. He told her it was a subject park ‘s shirt but she insists to construe it refering to the state and is proud of it.

In a manner both characters desire their new American individuality but have a sense of guilt to abandon their old individuality because they think that it ‘s necessary to make so in order to make their new 1. This insisting and confusion comes from their households volitions. It was ne’er clear where this push was coming from. This keeps resurfacing the inquiry for the characters “ Is life fate of finding. ” Obejas ( 225 ) As the life events in America unravel the determination and makeup of the characters identity become more clear and focused.

Some comments Achy and Sumita make throughout the narrative lead the reader to believe they want to return to their fatherland, but deep down internally truly make non. Achy shriek at her male parent when he does n’t desire to give her the passport. She says “ And for the first and lone clip in my life, I ‘ll state, look you did n’t come here for me, you came for you. ” Obejas ( 228 ) The resoluteness of the narratives reveal wholly along that they really decided a long clip ago American was their true individuality that they wanted to foster. Their hopeful and yearning nature could merely be nurtured if they remained in America.

From the gap of each narrative the characters are encouraged by their household to want a new life. Sumita ‘s female parent provinces, “ Besides, was n’t it every adult female ‘s fate, as female parent was ever stating me to go forth the known for the unknown? ” Divakaruni ( 275 ) So in the terminal it all comes down to the point the characters must inquire themselves, was this fate or finding? The households picks and the miss ‘s life events led them to America. Did they truly want to be here after all?

At the decision of the narrative it is revealed by the passing of the male, dominant figure that there is a free pick to do. What will the immature adult females make up one’s mind? The epiphany surfaces when the character weigh the options and take a life of hope and longing in America that was more developed since being in the States. Even in Achy ‘s profession as a lensman these qualities are in her work. In respects to her exposures “ Hailed by the critics as filled with longing and hope. ” Obejas ( 231 )

Sumita reveals to the reader through the symbolism of apparels which her late hubby bought her, that she dreamed of have oning them in their shop. The apparels besides represent hope and longing at the stopping point of her narrative. The reader knows she will take a life with this possibility, and remain, by have oning those apparels and looking in the mirror. “ I straighten my shoulders and stand taller, take a deep breath. Air fills me-the same air that traveled through Somesh ‘s lungs a small while ago. The idea is like an unexpected, intimate gift. I tilt my mentum, cooking myself for the statements in the approaching hebdomads, the expostulations. In the mirror a adult female holds my regard, her eyes discerning yet steady. She wears a blouse and hedge the colour of Prunus dulciss. ” Divakaruni ( 281 )

At the stopping point of the Cuban narrative Achy states the ocean trip she had was one that is ongoing, ergo showing her desire to go on with her way in the US. This quotation mark sums it up, “ aˆ¦even I know we ‘ve already come a long manner. What none of us can mensurate yet is how much of the ocean trip is already behind us. ” Obejas ( 233 )

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